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92

ber. According to the workshop’s

founders, much more is to come.

“The idea for a Writers Workshop

in Mount Pleasant came to me after

I attended one myself in Los Angeles

with Bob McKee,” Sloate said. “Bob

invited 12 writers to bring in their in-

progress plays to share.”

According to Sloate, these 12 writ-

ers responded well to the opportunity

to collaborate, taking notes of con-

structive feedback from one another

and talking about ways to improve

upon the work. So why not bring

the same sort of artistic community

to Mount Pleasant? Because Sloate

and Moreto each care about theater,

it came naturally to them to start the

process, ask for the support of the

town’s CAP commission and form the

subcommittee along with Reiter, who

heartily dove into the project as well.

The idea of the Writers Work-

shop is to present a safe place for

Lowcountry playwrights to have

their pieces performed by actors from

within the community, directed by

professionals and observed by other

workshop members. No one else is

allowed to attend the workshop, a rule

that perpetuates the idea of a closely

knit community solely for artists.

That said, although I attended the

first ever workshop, I am not allowed

to say much about what happened. I

can, however, vouch for the fact that

it was well-received by everyone who

attended – from the writers to the

directors to the actors to the subcom-

mittee members themselves. I caught

up with Sloate, Reiter, Moreto and

Williams during the workshop’s lunch

break, and they all expressed joy at the

“beta version” going well.

“The workshop offers the oppor-

tunity for directors to meet writers,

for one thing,” remarked Reiter. “And

from the perspective of the participat-

ing actors, it’s cool to see the screen-

play all the way through.”

The members of the

Writers Workshop

Subcommittee

include, left to

right, Marie-Louise

Moreto, Teralyn

Reiter, Susan Sloate

and Charlie Williams.

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